It is one that suits the Dead’s style of music very well. I've never heard anything like that, ever. A transcription of a few measures of three different versions is by no means exhaustive, but it will give us an idea of how Phil builds a bass line and how he varies it from performance to performance. Phil Lesh with The Grateful Dead live in 1974 with Custom Alembic In the late 1970s Lesh briefly played a Fender Jazz and a handmade Doug Irwin bass (Irwin had built Jerry Garcia’s iconic Tyger and Wolf guitars amongst others). Jede Gitarre PL-408 ist ca. He plays almost exclusively notes from a D major pentatonic scale (D-E-F#-A-B). Wood Samples. Make sure you # VOTE on November 3. One issue is the improvisatory nature of the Grateful Dead’s music. Ritter Electronics. Available at dealers. Welcome to episode 2 of the Nature of Sound! More information on # DemocracyComesAlive, which raised more than $40,000 an counting for HeadCount and participating artists: https://bit.ly/33CPqHe. Here are some pics. As they keep playing, though, Phil Lesh begins to avoid hitting that B at the beginning of each 4-measure pattern. a close up look at Phil Lesh's Big Brown bass. The guitars he built for Garcia included Eagle (Alembic), Wolf, Tiger, Wolf Jr. (headless) and Rosebud. Instagram . März 1940 in Berkeley, Kalifornien; meist nur Phil Lesh) ist ein Musiker, der vor allem als Bassist von Grateful Dead bekannt wurde. As we see from these three performances, Lesh does not have a specific bass line that he plays for this song. Axe Heaven PL-408 Phil Lesh Alembic Miniatur Bass AXE HEAVEN Miniatur-Gitarren sind ein großartiges Geschenk – vor allem für einen Totenkopf; Jede AXE HEAVEN Miniatur-Gitarre ist im Maßstab 1:4 und ist einzeln aus massivem Holz handgefertigt, mit Stimmschlüssel aus Metall. Lesh was born in Berkeley, California, on March 15, 1940. Personally the only of Phil's basses I thought sounded awful were the Irwin in the early 80s and the Eye of the Horus Ritter he was playing around 2010, the one that looks like he is strangling a swan when he plays it. Watch: Phil Lesh, Ross James, Jason Crosby and More Collaborate on Hebrew Version of “Samson & Delilah” Grateful Dead HQ Shares Pro-Shot “Row Jimmy” from Egypt ’78 In the 1980s, Phil would gravitate toward 5- and 6-string basses, but the D he plays in these transcriptions (5th fret on the A string) is the lowest available on the 4-string basses he favored in the 1970s. By the early 1980s Lesh had moved to a Modulus 6 string. I’ve included a transcription of the riff Jerry and Keith are playing, because it’s important to see how Phil Lesh plays against it. Logged sonicus. Ritter Swordsteel strings. Axe Heaven PL-408 Phil Lesh Alembic Miniatur Bass AXE HEAVEN Miniatur-Gitarren sind ein großartiges Geschenk – vor allem für einen Totenkopf; Jede AXE HEAVEN Miniatur-Gitarre ist im Maßstab 1:4 und ist einzeln aus massivem Holz handgefertigt, mit Stimmschlüssel aus Metall. Internships. In most situations, we can’t get away with Phil’s approach to playing. Axe Heaven PL-408 Phil Lesh Alembic Miniatur Bass AXE HEAVEN Miniatur-Gitarren sind ein großartiges Geschenk – vor allem für einen Totenkopf; Jede AXE HEAVEN Miniatur-Gitarre ist im Maßstab 1:4 und ist einzeln aus massivem Holz handgefertigt, mit Stimmschlüssel aus Metall. This is one of the most famous Grateful Dead shows that has yet to receive an official release, but it’s surely only a matter of time. As I understand it, the WoS was retired well before this tour, but however they had the bass amped up, it was working just fine. May 29, 2002 #1. boogiebass . It is one that suits the Dead’s style of music very well. As a jazz-oriented trumpet player, Lesh developed his role in the band's mix through intuition and listening. We hate spam as much as you do! I know it isnt a standard gibson SG bass. Ritter Pickups. Performances of “Playing in the Band,” “Truckin’,” and “Bird Song,” among others, often last 15 to 20 minutes. Even that G# is short and is very much just a passing tone to get to A. For most bands, the studio album version is thought of as the definitive version. Review – Best of Extreme Bass Transcriptions by Aidan Hampson, Bergantino Audio Systems Welcomes Bassist Daniel Sing, Review: The Return, Deep Energy Orchestra. 34: Community War Memorial, Rochester, NY 11/5/77 ℗ … Phil Lesh doing what he does best. The verse of the song is based on repetitions of a 10-beat pattern (4+4+2). Facebook. News of round-wound strings had yet to make it to San Jose . The Basses of Phil Lesh Discussion in 'Basses [BG]' started by boogiebass, May 29, 2002. Phil opts for an independent line that acts as a sort of counterpoint against the main riff. The Nature of Sound, part 3 in this music theory series. The first two times through the pattern, he plays a C# on the downbeat of the 2nd measure (mm. The riff and accompanying parts are based around a B mixolydian scale (think B major but with a lowered 7th—so A natural rather than A sharp), but Lesh is mostly playing notes of a B major pentatonic scale with the occasional addition of E. In the excerpt transcribed, he completely avoids any kind of A, although as the jam continues over the next several minutes, he does begin incorporating A naturals. This is a common way Lesh builds tension. Phil Lesh’s line here isn’t as syncopated as the ones discussed above, though it remains anything but regular. The guitars he built for Garcia included Eagle (Alembic), Wolf, Tiger, Wolf Jr. (headless) and Rosebud. In the extended jam section after the verses, the same is true… for a while. “Dark Star” was a vehicle for some of the Grateful Dead’s most experimental improvisation. Two other guitars are documented as being built by Irwin: Rosewood and a Les Paul type guitar. The arrows above the 5th and 9th measures indicate where we expect him to land on B, but he consciously avoids it. Something else Phil Lesh is consistent about in these three performances is his note choices. Playing the root of the chord (or key, mode, etc.) Below are transcriptions of Phil Lesh’s bass line from the first verse of three different performances of this song: 12/9/73 from Tampa, FL (available on Dick’s Picks Vol. The songs are given life on stage, not in the studio. This presents a hurdle if you want to learn to play a song the way Phil played it. Another issue is that the Dead aren’t just known for improvisations—the Dead are known for long improvisations. The performance from 1973 is the most syncopated.Notice how few notes fall on the beat. log in sign up. In fact, the only note outside of D pentatonic in the transcriptions is the G# near the end of the 3rd measure of the performance from the Alexandra Palace. Jede Gitarre PL-408 ist ca. Contact. Looks like a Gibson EB-3 bass with an upgraded bridge and a mudbucker pickup installed in place of the smaller bridge pickup. It is Phil Lesh — a jazz player turned avant-garde composer turned rock and roll bassist who provides the powerful but melodic bass lines that help give the Dead's music its exotic, but easily recognizable, flavor. This helps keep the band together, but also keeps the jam relatively grounded. Community resources, and extensive FAQ … Press J to jump to the feed. Garcia’s gorgeous re-entry three minutes later came in … Phil plays the root B on the first beat of each pattern (i.e., downbeat of mm. And for the most part, once the jam section of the song begins, what Lesh plays in one version won’t translate seamlessly to another. 7); and 2/3/78 from Madison, WI (Dick’s Picks Vol. Sep 20, 2011 #3. But it also requires a lot of trust and understanding from other members of the band who may be expecting more traditional bass lines. Team. Notice the arch shapes in Phil’s line each time he moves away from A. Bass & Guitar models. One thing to notice is that Lesh lands on a strong root D on beat 1 of each 10-beat measure (i.e., the first beat of A, B, C, and D). In fact, sometimes you need that. Events. 2 and 6). His bass line from the 1978 show in Madison is the most regular. Hitting the root at the beginning of each pattern is like a release valve. Doug also built a limited amount of other guitars and basses including a bass for Pete Sears and a bass for Phil Lesh. Otherwise, bass notes on downbeats are scarce. Logged Mission Control. The performance shown in example 4, from Veneta, OR 8/27/72 (released as Sunshine Daydream), begins with the song’s intro riff, which leads to an “opening jam.” In this particular performance, the opening jam lasts over 11 minutes before Garcia sings the verse. Phish.net is a non-commercial project … In most situations, we can’t get away with Phil’s approach to playing. Floridabwoy. Aug 16, 2000 ... No idea about the headless bass. If you begin leaning back in the chair and the front legs come up off the ground, there’s a certain amount of tension created. Lesh’s playing, though, is a key component of the sound of the Grateful Dead, probably second in importance only to Garcia’s lead guitar. Close. 1); 9/9/74 from Alexandra Palace in London, England (Dick’s Picks Vol. Youtube. So, if you’re going for that authentic Grateful Dead sound, give your bandmates fair warning, then dive headfirst into the Phil Zone. You can subscribe at any time. The longer you do that, the more tension you create–at least to a certain point. Jede Gitarre PL-408 ist ca. Does anyone have any information on phil lesh's SG style bass he used back in 60's early 70's? In other words, he’s playing his lowest, strongest D as a way of keeping the band anchored in this unusual time signature. “Scarlet Begonias” was another staple of the band’s concert repertoire subjected to extensive jamming, often leading into “Fire on the Mountain.” Example 2 is a transcription of the first 16 measures of the jam section in the performance from Alexandra Palace on 9/9/74, starting at approximately 4:35 in the recording. Of round-wound strings had yet to make it difficult to describe, characterize, or Grateful! Community resources, and sometimes you want to learn to play exact repetitions of a bass Phil! The most syncopated.Notice how few notes fall on the ground early and often is phil lesh headless bass in. 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